Drawing is the central axis of my work which unravels the scribbles of its beginnings into customised constellations in which drawing becomes a metaphoric journey. The drawings in this exhibition move between layers of intuition, thought and language, and alternate between the double horizon of absence/presence, speaking/silence and space/place. These themes draw together my conception that drawing is above all an approach: a way of thinking.
When I work I conceive of every gesture as a drawing in a space, whether on paper, or by combining and shaping materials the concern remains the same: I am drawing. The way objects and fragments are set up in a space is similar to setting up relationships between individual lines and traces in a drawing. Each object functions as a drawing within the drawing, like constellations within constellations of material.
I connect the physical and psychological aspects of drawing with journey. There is a direct correlation between travelling across a landscape and the path of a graphic mark which transforms a blank page into an imaginary space. The path of a gesture of one's hand across a page can be traced in the same way we can map our journeys across the landscape of a place. In this sense travel is as much a gesture as drawing is. I tend to understand travel as a gesture that enables one to re-view one's own position socially and politically within a particular geographical locality. In this sense drawing can be used as a tool which allows the mind to wander along the more distant paths of memory and imagination to return with a more acute awareness of the present.