Jeanne Hoffman

2015/01/27

Thinking Ultramarine

Embodied visuality, materiality, intersubjectivity and vulnerability.
With Brigit Baker & Katherine Smith
Curated by Anja De Klerk
Opening Saturday 31 January 2015 11h00
Atlantic House, 1 Perth Street, Maitland

2012/11/03

Shipwrecked cargoes (2)

The collection of pieces made during this working period at EKWC(.nl) reference objects from shipwrecks that have been overgrown and transformed by organic formations. It plays with the transience of common objects and uses the fluctuating border area between sea and shore where fragments of things are thrown together in random formations serves as metaphor for the cultural landscape of my city of birth, Cape Town, at the tip of Africa where various European and African cultures have washed up and coagulated into a fragment culture over the centuries.

Shipwrecked cargoes (process)

2011/05/06

Mixing porcelain

Reduction firing (3)- Celadon

Assembling the parts

Tapas on the roof

"Borrel" on the EKWC's roof - with Maaike Roozenburg, Liet Heringa, Maartin van Kalsbeek and Diederik Radder.

Drawing near: inscribing spaces

My work starts out as drawings then unravel the scribbles of their beginnings into three-dimensional objects - a process through which drawing becomes a metaphoric, spatial and plastic journey. I extend this expanded view of drawing, spatially, through materials.

Travelling and working in different locations, my approach and process alternate between two poles: nest-builder and nomad. In my work I build temporary shelters for thoughts - wandering from one place to another, collecting observations, experiences and meaning. I tend to understand this notion of travel as a gesture that enables one to re-view one's position emotionally, socially and politically within a particular geographical locality. In this sense drawing can be used as a tool which allows the mind to wander along the more distant paths of memory and imagination to return with a more acute awareness of the present.

2008

#
Solo exhibition: Strange things travel with you

#
Complete MA in Visual Arts: Drawing near: Inscribing urban spaces

#
A second project with Raumars AIR, Finland. The workshops with 70 learners from Rauman Lukio and Lyseo culminted in an exhibition, Kollaasikaupunki/Collage City at Galleria Gylich. The postcards produced as part of this collaboration were distributed commercially as the summer series of postcards for Rauma city.

#
Residency at Frans Masereel Centre (Belgium)

#
Drawing lecturer, Stellenbosch University Visual Arts department (South Africa)

2007

#
Drawing lecturer University of Stellenbosch Visual Arts

#
Frans Masereel Centre AIR - colour lithography

#
Impact 5 international printmaking conference in Tallin, Estonia.

#
African Tahti: Urban intervention in collaboration with Liza Grobler in Finland.The collaboration formed part of a group exhibition "Common Ground: Raumars 10 years" at the Lonnstrom Art Museum in Rauma.

#
Raumars AIR
My residency in Rauma was dominated by workshops with school groups. These workshops explored relationships between drawing, communication and psychogeograpies. The drawing communication projects culminated in an exhibition of my collaboration with the Finnish students at Galleria Gylich in May 2008.

2015/01/27

2012/11/03

2012/08/05

2012/05/23

2012/05/21

2012/04/23

2011/05/24

2011/05/06

2011/05/02

2011/04/26

2011/04/25

2011/04/06

2011/03/21

Archive

Contact

Drawing near: inscribing spaces

Collaborations

2015

2014

2012

2011

2010

2009

2008

2007